Summers in the Northwest means sunshine and that sunshine means the summer outdoor  concert schedule will be heating up in parks throughout the region.. Here is a list of some of the blues performances, many of which are free, coming soon to a park near you.

A musical tradition over 110 years in the making, the City of Portland’s Concerts in the Park offers something for everyone, from classical to country, rock & roll to rhythm & blues, entrancing audiences in parks since 1901. Last year, crowds flock to Portland parks citywide for the revelry, with over forty thousand people attending 61 concerts. There is always plenty of blues music offered at the Concerts in the Park events all summer long. All are Free! Concerts begin at 6:30 pm. This year welcomes the following acts that may appeal to blues listeners. (For a complete listing of all Concerts in the Park, go to the website: www.portlandoregon.gov/parks/69555)

Monday, July 10  – Redray Frazier – Sellwood Riverfront Park, SE Spokane and Oaks Pkwy

Wednesday, July 12 – The New Iberians –  Willamette Park, SW Macadam and Nebraska St

Thursday, July 13 – Mary Flower – George Park, N Burr and Fessenden St

Saturday, July 15  – King Louie & LaRhonda Steele – Dickinson Park, SW 55th and Alfred Ct

Wednesday, July 19 – Curtis Salgado & Alan Hager Duo – Dawson Park, N Stanton and Williams Ave

Wednesday, July 26 – Ocean 503 – Dawson Park, N Stanton and Williams Ave

Thursday, July 27 – Norman Sylvester Band – Kenton Park, N Kilpatrick and Delaware Ave

Monday, July 31 – Teresa James & The Rhythm Tramps – Sellwood Riverfront Park, SE Spokane and Oaks Pkwy

Friday, August 11 – Ken DeRouchie Band – Lovejoy Fountain Park, SW 3rd and Harrison St

Friday, August 11 – King Louie & LaRhonda Steele – Denorval Unthank Park, 510 N Shaver St

Thursday, August 24 – Jellyroll Society – Elizabeth Caruthers Park, 3508 SW Moody Ave

The City of Gresham’s Center for the Arts will once again be presenting their popular summer concert series, Music Mondays, beginning in July. Taking place at the Gresham Art Plaza at NE Hood between 2nd and 3rd Streets, the events are free, for all ages and accessible to all. Starting at 6:30 each week. This year’s entertainment will offer several blues acts in the line-up. (For a complete listing of all upcoming shows, visit www.GreshamCenterforthe Arts.org)

July 10 – Sister Mercy
July 24 – Thunder Brothers
August 7 – Franco Paletta & The Stingers
August 28 – Beacon Street Titans

Kathken Vineyards Summer Concerts will also return for their 16th season of summer music in the park, so pack up your blanket, pull out the camp chair, put on your parka while you relax next to a bon fire sipping wine and enjoying food from local eateries. All shows begin @ 7 pm and end @ 10 pm. All shows $10 per person. Cover collected @ gate. Gate open 6:15pm. Ty Curtis shows gates open 5:45pm. All gate proceeds given to band. Food & beverages, including our awesome wines, available for purchase @ each event. Dress casually, bring a jacket & a camp chair (for your comfort if not reserving a table) as this is an outdoor event. These shows are 21 & over only, so no children, dogs or ice chests please. Call 503-316-3911 for information, tickets and reservations. Blues events at Kathken Vineyards this year will include:

Saturday, July 1 – Ellen Whyte Trio
Saturday, July 8 – Karen Lovely & Ben Rice
Friday, July 14 –  Jake Blair Band
Saturday, July 15 – NW Women Blues (Sonny Hess & Joanne Broh & Co)
Friday, July 28 – Hank Shreve Band
Saturday, July 29 –  Ty Curtis Band
Friday, August 11 – The Flextones
Satuday, August 12 – Rae Gordon & Garry Meziere
Monday, August 21 –  GABE COX  (Eclipse Party 10am to noon)
Saturday, September 2 – TY CURTIS BAND

Sunday, Sept 10th  – 4th Annual St Thomas Jazz Festival-a fun filled family event that uses 100% of raised funds to support non profit social service organizations CASA, Sable House, Dallas/Salem Free Clinic. Noon – 5pm. $10 advanced ticket (sold here) or $15 at gate. Music starts @ 1pm with La Ronda Steel & Louis Pain! Food, wine, beer, soft drinks, silent auction, 50/50 raffle & bake sale. Family friendly event!

Bandstand

Lloyd “Have Mercy” Jones

Bringing out the “LOVE BUCKET” for our friend and yours… Curtis Salgado.

Curtis had to cut his east coast tour short for an emergency triple bypass heart surgery recently! Due to the fact that he has incurred massive medical bills and can’t work right now to even pay his normal bills, I’d like to invite ya’ll to show your love by coming out to Catfish Lou’s (2460 NW 24th Ave., Portland) Thursday June 8 and putting whatever funds you can afford into the “LOVE BUCKET” for our pal Curtis Salgado. 100% of what you contribute will go directly to him.

Curtis is healing nicely and hoping to be back at work in July. If we can help even a little let’s do it. After all he has made us feel good for a mighty long time.

BTW – I’ve been diggin’ on the new acoustic recording Curt & Alan Hagar just finished…over, and over, and over again. It’s fantastic!

Also, “The All Star Band” playing for you on June 8 will record June 11 as the brainchild of Boyd Small & Willy Barber. Such guests as Louis Pain, Peter Dammann, Big Monti and myself. Others are welcome join in on Thursday night as well.

Hope you can help.

Thanks,

Lloyd “Have Mercy” Jones

======================================

Lady True Blue & Sonny Hess

“Lady True Blue” Lady Kat and Sonny Hess announce the CD release of Soul Barin’ Blues with a special celebration to be held on Saturday, July 1 at the Safeway Albertsons Waterfront Blues Festival

Lady True Blue – Lady Kat – Low, Rich, Full Bodied Voice’ that carries the likes of Etta James, with a little of Wynonna’s twang, and the depth of Della Reese! Born and raised in the Northwest she was surrounded by the sounds of Blues and Country music.

Although starting out her music career at a later age in life Lady Kat has the style performance and sound of a well-seasoned artist. Spreading her wings to venture forth to pursue her dream as a national, even global blues artist, Lady Kat “Lady True Blue” has been showcased in phenomenal groups like the Northwest Women Rhythm & Blues, Celebration of BB King Show, playing with Portland’s finest musicians and was a favorite at Jimmy Mak’s Club. The past eight years Lady Kat has been performing at the Safeway Waterfront Blues Festival. She has shared the stage with Fiona Boyes, Linda Hornbuckle, Janice Scroggins, Duffy Bishop, Lady A, & Ellen Whyte, Sonny Hess, Lisa Mann to mention a few. This year at the Safeway Albertsons Blues Festival “Lady True Blue” brings her own show to the main stage debuting the release of her first CD.

Her first CD offers a lyrically powerful original “Soul Barin’ Blues” the title cut. “True Blue”, a song written by Sonny Hess as a gift to Lady Kat, Lady True Blue and in return a bluesy rendition of “Drift Away” dedicated to Sonny, to mention a few. There are several top-notch Portland musicians featured on various songs.

“The Gift of Song truly is a gift of power. A singer should cherish and respect it! For you never know who’s out there watching and listening and taking away a memory of your gift. It is my mission to respect and represent the art of music.”  – “Lady True Blue”

Big Steve and the Trainwreck

Lost in the Blues
Self Produced

Big Steve and the TrainwreckLost in the Blues is the fourth release from Big Steve and the Trainwreck, a tight, eight piece band from the Pendleton area — and while the band may be lost in the blues, what’s not lost on us is that this album is one more example of the terrific music fermenting in every nook and cranny of Oregon.

The Trainwreck includes Steve Humphrey (Big Steve) on vocals and harmonica, Albert Tibbits on guitar, Dan Mitzimberg on keyboards, Dave Chorazy on trumpet, George Plaven on trombone, and Lloyd Commander on sax and clarinet. It also boasts one of the tightest rhythm sections I’ve heard in quite a while — Alan Feves on bass and Ric Walters on drums. They form a backbone for this music as solid as the Blue Mountains that surround Pendleton. Check out their muscular groove on “Shame of the World” — first-rate stuff.

This album explores several musical genres, dabbling in both country-tinged boogie (“She’s Hot” “Beaten Track”) and traditional 12-bar blues (“Slow Burn”), but the band really hits its stride with its Chicago flavored “Bounce” that’s as good a tune as you’re likely to hear this side of Maxwell Street. Humphrey’s vocals slide effortlessly from gruff and throaty to mellow as it weaves around and through some superb horn flourishes. This is a fine, sturdy example of Chicago blues inspired music.

Other tunes on the album impress as well. “Boogie with my Friends” lays down a spunky, solid groove that echoes ZZ Top with some tasty harmonica work from Big Steve thrown in to the bargain, and “Trophy Wife Blues” is a witty take on the myriad of problems that comes with marrying beyond your station (hint: she needs more shoes).

This is an impressive release, made more so by the lack of any cover tunes. Big Steve penned all the tunes here, with some help on “Goin’ Home” from Albert Tibbits, who supplies some exquisite slide guitar on that number, and he shows a keen ear for authentic blues material. This is an enjoyable and entertaining album that never disappoints — highly recommended.

Available through Amazon and iTunes or directly from the band at http://bstw.rocks/discog.html

Total Time — 39:15

Funky Tonight / You Gotta Jump / Slow Burn / Trophy Wife Blues / Deep in the Hole / She’s Hot / Bounce / Beaten Track / Shame of the World / Boogie with my Friends / Goin’ Home

by Randy Murphy

New Music to Note-September 2021

Here’s a list of new music received at the CBA office, purchased personally, or listened to this past month of note:

Bobby Messano – Bad Movie (The Prince Frog Record Company)
Davis Coen – These Things Shall Pass (Soundview)
Gary Clark Jr. – Live / North America 2016 (Warner Bros. Records)
Selwyn Birchwood – Pick Your Poison (Alligator Records)
The Disparrows – Wasted Time (Self Produced)
Vanessa Collier – Meeting My Shadow (Ruf Records)
Vintage #18 – Grit (Self Produced)

Lady True Blue – Lady Kat

Soul Barin’ Blues
Self Produced

Lady True Blue – Lady KatThe aptly named Soul Barin’ Blues delivers the goods!

The first thing heard on the new Lady True Blue CD is the purr of the singer also known as Lady Kat, and a spoken introduction. It’s unusual, and friendly – setting the tone for 12 songs that are exactly what the title promises: Soul Barin’ Blues. Putting on this CD is like inviting a friend into your living room for a drink, to talk about life, and to hear her story. And what a life story it is…

“My name is Lady Kat, but you can call me True Blue,” she purrs, throwing wide open the invitation to join an intimate party where secrets will be shared, friendships celebrated and a soul revealed.

Once inside the CD you’ll love partying with her pals – a who’s who in the best of Portland blues led by Sonny Hess, who also produced the CD and brought her longtime bandmates Kelly Pierce on drums and Jim Hively on bass. Guest artists include two-time BMA winner Lisa Mann, Peter Dammann, Renato Caranto, Leah Hinchcliff, Ward Griffiths, Bobby Ferrante, and LaRhonda Steele.

She kicks things off with her fan’s favorite “Shade Tree Mechanic” a sexy, playful tune that grabs you by the ears and gives you a shake. She’s naughty, funny and everything your best friend should be. Every song reveals another layer of her deep honeyed voice, with nuance and style that is hers alone. From the classics, “Thrill is Gone” and “Heartache Tonight” to an inventive bluesy rendition of Radiohead’s “Creep” the Lady shows she has what it takes to make the old very new, and the new instantly classic. When she croons “I don’t care if it hurts, I wanna have control” you believe it. And you want more. You get it – by the shovelful. When “Woke Up This Mornin’” comes on, I dare you to keep yourself from singing along with the gospel dished out with incredible backup by LaRhonda Steele, Sonny Hess and Lisa Mann.

It gets personal, including some relaxed conversation that opens a window to the long friendship between Hess and True Blue. She says they have a “Sweet Little Angel” watching over them, referring to Paulette Davis, the local blues goddess and central figure in both their lives, who died in an accident in the early 90s as her career was blossoming. She also mentions Paulette in the song “Blues is My Medicine,” and “Any Woman’s Blues” which were both co-written by Hess and Davis. She turns the classic “Drift Away” into a tribute to the friendship she shares with Hess, singing “give me the beat Son” in a way that is affectionate and lovely. It’s the song collaborated on by Hess and True Blue that earns the CD title that will rip your heart out – with the story of childhood abuse and neglect that is the very essence of the blues, and of the rise of strong women from the seeds of misery, sung with tenderness and defiance.

Soul Barin’ Blues is an intimate peek into the lives of women who have lived the blues and found a way to make it sound beautiful, hopeful and a reason to dance. Listening is like making friends with Lady True Blue and her very cool companions. Together they make some music that counts and is well worth the time to listen.

Review by Nancie Hammond

Vanessa Collier

Meeting My Shadow
Ruf Records

Vanessa CollierOne of the coolest things about being a part of the International Blues Challenge is the musicians you see and meet that really deliver a strong impression upon you. Running one of the venues during the event puts me in direct contact with many of these artists, and from this contact, strong friendships often develop. Over the past few years there have been a lot of strong acts play in the room, but three have stood out exceptionally highly in my mind; Jarekus Singleton, Mr Sipp, and Vanessa Collier. Not only were they amazing performers who stood out on their instruments and their presence; they also held that stance that you just knew that they were ready to break out in a big way. Mr Sipp won the overall competition. Jarekus was signed to a major label and found himself nominated for Blues Music Awards. Now it’s Vanessa’s turn. Well she has already accomplished the major record label deal, and she is nominated for a BMA this year. But I have the feeling that she’s soon to be a name that everybody is going to recognize, too. Her latest disc on Ruf records, Meeting My Shadow, could just well be what it takes to put her over the top.

Now if you’re wondering, no, Vanessa Collier didn’t just appear out of nowhere. She did stint touring with Joe Louis Walker’s band and following her highly praised debut recording, Heart Soul & Saxophone, she was featured on one of Ruf’s multi-country tours throughout Europe. She is not only a sensational performer, but her songwriting skills are outstanding and she is a multi-instrumentalist. Though most may recognize her for her stellar saxophone playing, she can also work her way around a number of keyboard instruments, flute, and various percussion including the shuitar.

The album features Vanessa with strong guitar work coming from Laura Chavez throughout, joined by Josh Roberts playing slide on a couple numbers. Other featured musicians include TK Jackson on drums, Daniel McKee on bass; Charles Hodges on a variety of keys, Marc Franklin on horns.

Covers of “When Love Comes To Town” and “You’re Gonna Make Me Cry” are masterfully recreated. The Sister Rosetta Tharpe piece “Up Above My Head, I Hear Music In The Air” brings a revival feeling that stands out. Her own songwriting expresses both sides of life through her reflections of overcoming pains and bringing joy in turn. Of the original tracks I really find numbers like the opening “Poisoned The Well,”  “Two Parts Sugar, One Part Lime,” and “Whiskey And Women” all to be rousing and invigorating. The New Orleans flair of “Meet Me Where I’m At” and the funky socially-aware track “Cry Out” are also stand-outs. Collier has the goods to successfully deliver in any direction she sets forth, which she does remarkable well throughout this outstanding disc.

Total Time: 44:21

Poisoned The Well / Did A Little Deeper / When It Don’t Come Easy / Two Parts Sugar, One Part Lime / When Love Comes To Town / You’re Gonna Make Me Cry / Whiskey And Women / Meet Me Where I’m At / Cry Out / Up Above My Head, I Hear Music In The Air / Devil’s On The Downslide

What’s on Tap for November’s General Membership Meeting

Melody Ballroom, 615 SE Alder Street, Portland
Wednesday, June 7 – 7:00 pm
Members Always Free – Non-members $5.00
Opening Acoustic Set – Mojo Holler
Second Electric Set – Rae Gordon Band

The summer months are directly upon us and for Portland that means there’s a lot going on, especially when it comes to music. And as I have stated before, the true method to get into the spirit of the music in Portland is through the blues and there’s no better place to kick each month off than the Cascade Blues Association’s monthly general membership meeting. If you’re not familiar with our meetings, there’s really not much in the way of business going on, but a whole lot of fun and of course great music. This month we’re going to feature a couple acts that everybody should know. Outstanding performers and good friends of the CBA.

Starting off the evening will be Mojo Holler, the new collaboration Missi & Mister Baker as they add a bassist to their outfit.. This trio weaves threads from mountain ranges to the Mississippi Delta into a tapestry of indie folk rock.  Mister Baker channels innate genius through lap steel, slide, and dobro.  Missi is a genuine Appalachian ‘Mountain Mama’ whose vocals bring burning intensity to each song.  The pair were lauded by South by Southwest founder Louis Black, who called them the ‘godchildren of Mississippi Fred McDowell.”  Bass guitarist Eric Shirazi lends an infectious, funky groove to mix that takes the group to a higher plane.

The band formed in 2012 as the duo, “Missi & Mister Baker.”  The pair released their debut album, “Where Black Ravens Flew,” in late 2014, and were tapped to showcase at South By Southwest in 2016 and the accolades have been tremendous since.

South By Southwest founder, Louis Black, said of the pair: “Why Missi had to move to Portland from Austin in order for The Bakers to channel their inner Mississippi Fred McDowell, I do not know.  But she did, and they did.”  The album combines complex rock guitar and country blues stylings with rich vocals that hearken Joplin and Fleetwood Mac.

Jackpot Recording producer and Tape Op Magazine publisher Larry Crane says the pair’s Americana-styled original songs were some of his favorites.  “Missi’s fabulous voice, along with Mister Baker’s deft fretwork, brings the whole show home.”

And the late Lisa Lepine, a Portland legend in music promotion, said of their mission:  “They weave their dark, modern spirituals from shared roots in magic, ‘mericana, and metaphysics.  Mister Baker, like Robert Johnson before him, may have made a deal with the devil — channelling an innate genius through lap steel, slide and dobro.  Missi’s earthy voice brings burning intensity to each song.  Picture them sitting knee-to-knee on a Southern Delta, watching the dark moon rise and singing from their eternal souls.”

And if that isn’t enough to bring you down to the monthly meeting, the second act of the night will be the CBA’s recent representatives at the International Blues Challenge, bringing home third place, the Rae Gordon Band.

International Blues Challenge - Rae Gordon & The Backseat DriversThe Rae Gordon Band is fronted by Muddy Award Hall of Fame inductee , vocalist Rae Gordon  and is made up of seasoned players who been a fixture in the local blues scene for years.   She wanted a new project that could ride in that sweet spot between a gritty slide groove with an exciting hard driving horn section. Something she likes to call a downtown gritty with uptown city.

The band itself is a combination of amazing musicians, including Kivett Bednar, fast becoming known for his gracious grooves and ability on guitar; bassist Al Hooten laying down the foundation; in-demand horn players Allan Kalik on trumpet and Scott Franklin on saxophone; versatile drummer Ed Pierce; and award-winning keyboardist Pat McDougall. All of these musicians have played with a virtual who’s who of the Pacific Northwest.

They are now working on their debut CD recording Better Than I Was, for release summer 2017 and looking forward to a  summer full of traveling and blues festivals that include the Winthrop Blues Festival, Waterfront Blues Festival and the Big Blues Bender in Las Vegas.

Of course, we will be holding the usual free ticket drawings where everybody can win just by attending the meeting. And the $1.00 multi-CD winner take all drawing will also be held and we’ll let in on what is going on in our region during the upcoming month. Not really your normal style of meeting, we’re all here for fun.

See you there!!

Tedeschi Trucks Band

Live From The Fox Oakland
Fantasy

Tedeschi Trucks BandThe latest release of Tedeschi Trucks Band features the 12-piece outfit in a one-night performance, September 9, 2016. Taking a group like this on tour must be a massive effort, so kudos to the band and management for keeping music alive.

This album contains a mix of Tesdeschi Trucks Band originals and classic covers. The set opens with “Don’t Know What It Means” and “Keep On Growing.” These are extended versions from their 2016 Let Me Get By album and were written by Derek Trucks.  Susan Tedeschi covers a haunting version of Leonard Cohen’s “Bird on a Wire.” There is a cover of the eclectic “Within You, Without You” from The Beatles, where Derek covers the sitar part on slide guitar. True to form he adds some raga-esque improvisation. Made complete with hand drums. “Just As Strange,” “Crying Over You” and “Anyhow” are more offerings from Let Me Get By. “These Walls” features a sarode intro and solo by classical Hindustani player Alam Kahn.  “Anyhow” shows the lighter side of Susan as a vocalist, in this track you hear the Bonnie Raitt influence. This track has a great horn part and trombone lick. “Right On Time” uses the horn section to create an old school New Orleans jazz vibe. “Leavin’” is straight out the Allman Brothers Band book. From here the band moves on to cover Santana’s “Soul Sacrifice” and Bobby Bland’s “I Pity the Fool.” The night wraps up with the Let Me Get By title track featuring an organ intro and solo. Susan’s vocals are backed with the chorus of back up singers.

All in all, this is album is a thrill. The band delivers extended versions of their latest studio tracks and includes covers that pay homage to their blues, rock, Southern rock, jazz and soul. The live sound mix is clear with only minimal audience noise.

The extended jams, show Derek’s legacy. Derek is the nephew of Butch Trucks, Allman Brothers Band drummer (sadly now deceased). Derek played with Allman Brothers Band for several years on lead/slide guitar. Derek and Susan were married in 2001, and have a son and daughter. Tedeschi Trucks Band played at our Portland Waterfront Blues Festival last summer, and were definitely a highlight.

If you have a chance to catch them live, be sure to go.

The band is: Derek Trucks – Guitar; Susan Tedeschi – Guitar & Vocals; Kofi Burbridge – Keyboards & Flute; Tyler Greenwell – Drums & Percussion; J.J. Johnson – Drums & Percussion; Tim Lefebvre – Bass Guitar; Mike Mattison – Harmony Vocals; Mark Rivers – Harmony Vocals; Alecia Chakour – Harmony Vocals; Kebbi Williams – Saxophone; Elizabeth Lea – Trombone; Ephraim Owens – Trumpet

Total time: 1:50:14

Don’t Know What It Means / Keep On Growing / Bird On The Wire/ Within You, Without You / Just As Strange / Crying Over You / These Walls / Anyhow / Right On Time / Leavin’ Trunk / Don’t Drift Away / I Want More (Soul Sacrifice outro) / I Pity The Fool / Ali / Let Me Get By

By Jeff Levine

Safeway Waterfront Blues Festival 2017

safeway waterfront blues festivalJoin blues legends, up-and-comers, and local acts to mark the 30th Anniversary of the Safeway Waterfront Blues Festival, presented by First Tech Federal Credit Union, June 30 – July 4, 2017 at Tom McCall Waterfront Park. This year’s festival will run five days and feature 150 blues acts on four stages. Festival proceeds help Oregon Food Bank fight hunger in Oregon and Clark County, Washington.

“Five days, four stages and more than 150 eclectic performances. For just $10 a day, Waterfront Blues Festival is the concert deal of the summer,” explained Artistic Director Peter Dammann. “But it’s much more than that. For three decades this event has supported Oregon Food Bank while reaffirming and strengthening the threads that bind us as a community. This has become one of the nation’s great community music festivals and it could only happen in Portland.”

Oregon Food Bank CEO Susannah Morgan remarked that “[w]e are truly humbled to mark 30 years of support from the blues community to feed the human spirit of the 1 in 5 people facing hunger in our state. Since 1988, this iconic festival has raised more than $10 million and 1,000 tons of food for hunger relief. This is an achievement we are extremely proud of – and an achievement that is unprecedented in the concert festival business.”

Major sponsors include Safeway, First Tech Federal Credit Union, Buick GMC of Beaverton, FedEx, KINK.fm, KOIN-TV, The Oregonian, Coors Light, and Deschutes Brewery. For information on DME Blues Cruises and After Hours All Stars, see separate article following this article.

Friday, June 30

Chris Isaak
Songwriter Chris Isaak clearly loves the reverb-laden rockabilly and country of Sun Studios. Isaak began performing after he graduated from college, forming the rockabilly band Silvertone. The group featured bassist Rowland Salley and drummer Kenney Dale Johnson, who remain the backbone of the singer/guitarist’s permanent supporting band (rounded out for the past two decades by the superb, Portland-based guitarist Herschel Yatovitz).

Elvin Bishop
Elvin Bishop has been performing his rollicking brand of electrified front porch blues for over 50 years (his first professional gig was as guitarist for Junior Wells’ band in 1962.) He is as vital and creative an artist today as he was when he first hit the national scene in 1965 with The Paul Butterfield Blues Band—with whom he was inducted into the Rock & Roll Hall of Fame in 2015. He is still as slyly good-humored and instantly crowd-pleasing as he was when he was effortlessly creating solo hits during the 1970s. His reemergence on Alligator Records in the late 1980s and into the 1990s, along with his more recent releases on Blind Pig and Delta Groove, insure his place on the short list of bona fide blues guitar heroes. Elvin’s music mixes thick blues grooves with timeless rock flavors spiced with a touch of country, a dab of Moms Mabley’s and Pigmeat Markham’s ribald black comedy, and the laid back feel of his Northern California home. His guitar playing seems to improve with every performance, and his songwriting is filled with clever revelations and homespun wisdom.

Fantastic Negrito
Fantastic Negrito, who this year won a Grammy for Best Contemporary Blues Album, is a man’s truth told in the form of black roots music. Each song tells the true story of a musician from Oakland who experienced the highs of a million dollar record deal, the lows of a near fatal car accident that put him in a coma, and is now in the phase of rebirth.

Cedric Burnside Project
Born and raised around Holly Springs, Mississippi, Cedric Burnside, grandson of legendary R.L. Burnside and son of drummer Calvin Jackson, has been playing music all his life. He has developed a relentless, highly rhythmic style that takes the blues to another level. This five-time winner of the prestigious Blues Music Award’s Drummer of the Year (2010-2016) is widely regarded as one of the best drummers in the world and has begun to make a name for himself as a traditional blues guitarist, as well.

JJ Thames “Mississippi Blues Diva”
JJ Thames has literally and metaphorically come a long way in the last few years. From busking in New York City subway tunnels in 2008 to having the No. 1 Hot Single on the Billboard Charts in March 2014, and now in 2017 having two chart-topping and critically-acclaimed releases and international tours under her belt…Thames has arrived. Her story reads like a classic Hollywood biopic, full of early joys, tragic losses, and a seemingly predestined turn to music as a career.

Dirty Bourbon River Show
New Orleans’ Dirty Bourbon River Show deftly melds sounds that range from hard-edged blues to whimsical piano driven ballads to Crescent City brass into a result that is truly a blast of new energy into the musical landscape. Dirty Bourbon grabs hold of audiences, fascinated by their eccentricity and dexterity coupled with their ability to harken back to by-gone eras in music.

The Revelers
The Revelers, a Louisiana supergroup created by founding members of the Red Stick Ramblers and The Pine Leaf Boys—unquestionably the two groups at the vanguard of the Louisiana cultural renaissance—combines swamp-pop, Cajun, country, blues and zydeco into a powerful tonic of roots music that could only come from southwest Louisiana.

Brother Yusef
Brother Yusef has been described as a master solo guitarist, and passionate vocalist. He has honed his guitar skills and vocals for over 30 years into a sound he calls “Fattback Blues.” Fattback Blues combines “traditional” finger-picking and slide-guitar playing with the contemporary feel of urban blues to create a full band sound with one guitar. YUSEF uses his right hand thumb to beat out a percussive bass-line and shuffle, while the index finger plays rhythm and lead lines. A favorite with young blues and swing dancers, Yusef is sure to pack the dance floor at the festival’s Front Porch Stage.

Dirty Revival
“Big, gritty, and honest. Our sound is unique but pulls elements of our favorite genres: soul, funk, hip-hop, R&B, jazz, gospel, and rock,” says Sarah Clarke, the resounding, and resonating, front woman for Portland-based Dirty Revival. Also comprised of Evan “evv’n’flo” Simko (M.C., guitar), Terry Drysdale (drums), Karl Ludwigsen (keyboards), Jon Shaw (bass), Chris Hardin (tenor sax), and Jon Clay (trumpet), the septet shines on their self-titled, debut full-length recording.

Saturday, July 1

Big Head Todd Blues Club
Platinum-selling Colorado-based rockers Big Head Todd and The Monsters [BHTM] team up with blues royalty Billy Branch, Mud Morganfield and Cedric Burnside to pay tribute to one of the most influential songwriters of the blues and rock and roll: Willie Dixon. If you’re a fan of Muddy Waters and Bo Diddley, or even Led Zeppelin and the Rolling Stones, then you’ve heard the immortal hits of Willie Dixon, a Rock & Roll Hall of Famer dubbed the “poet laureate of the blues.”

Three-time Grammy nominee Billy Branch was discovered by Willie Dixon while Branch was still in college. Dixon encouraged Branch to finish his college education, which he did, but instead of going to law school after receiving his political science degree, Branch began touring with Willie Dixon’s Chicago Blues All-Stars, initially as an understudy for legendary harmonica ace Carey Bell who was planning to leave to form his own band. When Carey took his leave, the young Billy Branch took his place, touring with Willie Dixon for 6 years.

The special collaboration features Muddy Waters’ son, Mud Morganfield, on vocals, whose moan and growl is conjures the spirit of Muddy as well as anyone on the planet. This will be Mud’s Portland debut.

Rounding out the project is third generation Mississippi bluesman Cedric Burnside (see Friday listings for more on Cedric.)

JD McPherson
JD McPherson, not yet 40, has managed the near-impossible; he is at once a classic rock revivalist and a musical pioneer, all on the same albums. He’s knocking at the door of something that arguably hasn’t yet been accomplished—a spirited, almost spiritual hybrid that brings the forgotten lessons from the earliest days of rock & roll into a future that has room for the modernities of studio technique and 21st century singer/songwriter idiosyncrasies.

Eric Gales
Eric Gales was a child prodigy, heralded as the second coming of Jimi Hendrix, when he released his debut album The Eric Gales Band in 1991 as a 16-year-old on Elektra Records. It was the first of 10 albums on a major label through a blistering career.  One of those projects led him to work with producer Fabrizio Grossi (Alice Cooper, Joe Bonamassa, Billy Gibbons, Ice T, Leslie West, Slash, Walter Trout, Steve Lukather), who says, “I’ve been a fan of Eric since I first worked with him 15 years ago on a project with George Clinton & P.Funk. His tone and his playing was wicked. I know very few musicians with such musicality. Eric is simply Miles Davis’ and Jimi Hendrix’ love child, that’s my story and I’m sticking to it.”

Greyhounds
As Greyhounds, guitarist Andrew Trube and keyboardist Anthony Farrell have been making music and touring for 15 years, refining and developing a sound Trube calls “Hall and Oates meet ZZ Top.” The band also has long ties to Memphis, home of the soul that inspires them. Trube and Farrell previously appeared at the Festival as part of JJ Grey’s & Mofro.

Southern Avenue
Southern Avenue, named for a Memphis street that runs from the city limits all the way to Soulsville, the original home of Stax Records, is a fiery young Memphis quintet that embodies its home city’s soul, blues and gospel traditions, while adding a youthful spirit and dynamic energy all their own. “The most talked-about band from Memphis right now.”

Christone “Kingfish” Ingram
The Festival is thrilled to welcome back to Waterfront Park the young Mississippi bluesman Christone “Kingfish” Ingram, who will be celebrating not only the Festival’s 30th Anniversary, but also his own recent graduation from high school! This will be Christone’s third visit to Waterfront. His first outing, for those of you who missed it during that record-breaking heat wave that hit us in 2015, proved one of the most stunning debuts ever seen at Waterfront Blues Festival, as the young guitar shredder all but stole the show on a lineup that included such legends as Gregg Allman and Buddy Guy.

Big Monti
His name is Monti Amundson but most people call him Big Monti. Not just because of the man’s physical appearance, but also because of his obvious talent and sheer presence. When Big Monti takes the stage, it’s clear that there’s more going on than the usual extended guitar solos – the man plays and sings larger than life. When Big Monti gets compared to Stevie Ray Vaughan or Johnny Winter he just says “thank you.” The fact is, the big man has his own style. “I’m a blues guitar player in a band that plays rock n’ roll,” says Monti, who recently moved to Nashville. He doesn’t so much as straddle the line between the genres as bend it, ignore it, or race back and forth across it until both sides go up in flames.

Lady “True Blue” Kat
With her low, rich, full-bodied voice— one that fuses Etta James’ power to Wynonna’s twang and Della Reese’s depth— Lady Kat has been a surprisingly well kept secret on Portland’s music scene, appearing relatively infrequently as a special guest—and always hitting it out of the park—for various special projects and collaborations. But Lady Kat’s low-profile, under-the-radar status, we suspect, is about to change. “The Gift of Song truly is a gift of power. A singer should cherish and respect it! For you never know who’s out there watching and listening and taking away a memory of your gift. It is my mission to respect and represent the art of music,” according to Lady True Blue.

Shari Puorto Band
Shari Puorto Band is a Southern California blues/rock/roots band with a lot of soul who have been touring together for years. With notable nominations and awards under their belt they continue to electrify audiences from Coast to Coast and abroad, and make their Portland debut at this year’s Waterfront Blues Festival. The band combines today’s modern blues/rock with yesteryear’s traditional blues. Their performances, and their connection with the audience, are infectious.

Chubby Carrier & the Bayou Swamp Band
Chubby Carrier and The Bayou Swamp Band, return as unofficial host and house band for Waterfront’s Cajun-Zydeco dances on the Oregonian Front Porch Stage. Mixing the traditional accordion and washboard farmhouse porch boogie of the Cajun prairie with dashes of ‘70s funk, the spices of classic R&B, and refreshing, swampy twists on classic songs as only authentic Louisiana ambassadors can do.

Jeffery Broussard & The Creole Cowboys
One of the most influential accordionists and vocalists in modern Zydeco music, Jeffery Broussard is one of the genre’s most dynamic performers. He began his career in traditional Creole Zydeco music playing drums in his father’s band, Delton Broussard & The Lawtell Playboys, then moving on to develop the nouveau Zydeco sound in Zydeco Force, and returning to the more traditional Zydeco sound with his own band, Jeffery Broussard And The Creole Cowboys.

Donna Angelle & her Zydeco Posse
Donna Angelle is a veteran and a staple of the American south who, after overcoming devastating injuries from a 1994 car crash, has been steadily building her music career through hard work, perseverance, and sheer talent.

Pine Leaf Boys
Louisiana’s four-time Grammy-nominated Pine Leaf Boys have made a name presenting their own inimitable brand of Cajun music. Hailing from southwest Louisiana, the Pine Leaf Boys, known for their wild shows and thoughtful arrangements, have breathed new life into Cajun music, reviving ancient songs and bringing them to the bandstand.

NW Women Rhythm & Blues, Featuring Claudette King
The NW Women R&B group has performed specialty shows produced by Sonny Hess since the early 80’s. These shows are comprised of the top female performers in the region but most importantly, Sonny exposes new-found talent to the Portland Blues scene. Here are a few names you might recognize that got their start in the area with the NW Women Rhythm & Blues: Lisa Mann, Ellen Whyte, Rae Gordon, Naomi T, Lady Kat “Lady True Blue” are just a few who have gone on to win multiple awards locally, regionally and nationally. The group’s performance on the Festival’s July 1 afternoon  “Sail on Sister” Blues Cruise will showcase such seasoned performers as Sonny Hess, Sheila Wilcoxson, Lady True Blue, Kelly Pierce, and special guest, Claudette King, daughter of the late legendary blues man, BB King.

Greta Kohan and Juan Soria
Greta Kohan is a singer/songwriter from La Cumbre, Córdoba, Argentina now based In Brooklyn, New York. Greta is considered one the best blues voices in the new generation of Argentine singers with more than 12 years performing and studying.  Her voice has a wide range that makes it possible for her to sing different styles— going from a soft sound to a raspy voice—in one song interpretation. Her repertoire includes the standards and her own original compositions in both English and Spanish.

Juan M. Soria is a singer-songwriter from Buenos Aires, Argentina who now resides in Brooklyn, NY.  His music style is blues/rock/folk with a bit of slide guitar for good measure and his influences include The Beatles, Dave Matthews, Jimi Hendrix, Amos Lee and Gustavo Cerati.

Marilyn Keller “Dapipes And Da Killer Band”
Marilyn T. Keller, 2016 Jazz Society of Oregon Hall of Fame Inductee, brings a special magic to the stage with her charming presence and flawless vocal stylings. Her musical roots are diverse. She joined Black Swan Classic Jazz Band in 1997, quickly establishing a loyal following in the Dixieland and Ragtime scene. She has also remained active in a wide variety of other performance ensembles and styles: The Don Latarski Group, Darrell Grant, Thara Memory, Tall Jazz, Tom Grant, Michael Allen Harrison, Disciples in Song, and the Augustana Jazz Quartet to name a few. Marilyn’s formative jazz training was as a member of the Mt. Hood Community College Vocal Jazz Ensemble and as the vocalist fronting the award-winning MHCC Jazz Lab Band. She is featured at the Jazz Worship Service at Augustana Lutheran Church every Sunday and can be seen frequently at restaurants, clubs, festivals and holiday events throughout the Pacific Northwest. Marilyn’s versatility extends to the recording studio and she has contributed her talents to various original CD’s, albums, demos and commercials. Keller debuts her killer new project, “Dapipes & Da Killer Band”, on the Saturday night ‘Rock the Boat’ dance cruise.

Sunday, July 2

Galactic
Galactic is a uniquely New Orleans phenomenon; a 20-year instrumental project that synthesizes the full spectrum of New Orleans music into an edgy, urban fusion incorporating New Orleans horn-driven funk, the region’s exuberant jazz, blues, hip hop, electronica, blues, “second line” marching brass, and the local frenetic funk-rock style called bounce.  The brightest lights of Louisiana also appear as guest artists on Galactic’s 11 albums, which have featured blues legend Walter Wolfman Washington, R&B queen Irma Thomas, cult “sissy bounce” legend Big Freedia, R&B/soul star Macy Gray (who appeared with Galactic previously at Waterfront), and their current touring partner, the phenomenal Crescent City vocalist Erica Falls.

Pimps of Joytime
When it comes to throwing a party, the Pimps of Joytime raise the bar with swagger to spare. Rhythms and textures drawn from New Orleans funk, ‘90s club house, ‘60s salsa, and hip-hop all collide and fracture upon one another on their new LP, Jukestone Paradise. Dubbed “raucous and captivating” by Okayplayer, their album cuts play like the soundtrack for a ride through Brooklyn’s diverse neighborhoods, where the group’s sound materialized.

Sonny Landreth
Sonny Landreth, the lean Mississippi native, who grew up in Lafayette, Louisiana, has enjoyed a prolific career for decades, dating back to his solo debut album Blues Attack in 1981. Although that album fanned the flames of his reputation as an emerging force in roots music, Landreth kept a parallel career going as a celebrated sideman and session player. Over the years he performed and recorded with artists that include John Hiatt, British blues innovator John Mayall, and toured as a member of Jimmy Buffett’s Coral Reefer Band. He also collaborated with Eric Clapton, and has performed at all of Clapton’s prestigious Crossroads Guitar Festivals since 2004.

Vieux Farke Touré
Often referred to as “The Hendrix of the Sahara”, Vieux Farka Touré was born in Niafunké, Mali in 1981. He is the son of legendary Malian guitar player Ali Farka Touré, who died in 2006. Vieux pays homage to his father and follows Ali’s musical tradition, giving new versions of the West African music that is echoed in the American blues.

Blynd
The unique band Blynd (formerly Legally Blynd) is one of the most artistic soul-blues bands performing today, comprised of an elite group of top session musicians who’ve spent years on the road and in the studio with the likes of Whitney Houston, Janet Jackson, Mick Jagger, Elton John, Alicia Keys, John Legend, Frankie Beverly & Maze, Chrisette Michele, Jill Scott, Justin Timberlake, and Stevie Wonder. Blynd features the stunning soul/blues guitar chops of John “Jubu” Smith.

Sons of the Soul Revivers
For those of us who don’t get to hear traditional gospel quartets very often, if ever, the fact that the Sons Of The Soul Revivers are breaking out of the four walls of the church to perform for secular audiences is something of a musical blessing. The Vallejo, California-based group performed a gospel dinner show this spring at Rancho Nicasio that was recorded live by the Little Village Foundation, a nonprofit founded by blues keyboardist Jim Pugh to put out music that would otherwise be overlooked by commercial record labels. (LVF brought soul singer Wee Willie Walker, Mariachi Mestizo and slide guitar ace Ron Thompson to Waterfront in recent years). The Sons are an example of an authentic American roots music that, sadly, is in danger of becoming extinct.

Dexter Allen
Dexter Allen, born in Crystal Springs, MS., the son of musical Pastors Lee and Ruthie Allen, was raised on a farm and grew up understanding that life can still be wholesome with only the bare necessities. Dexter began playing bass guitar at the age of 12 for his father’s gospel group, traveling around the central Mississippi area. After several years touring in the band of Mississippi blues legend Bobby Rush, Dexter’s own blend of Blues, R&B, Soul and Funk landed him a record deal in 1995 with Airtight Records, an independent label based in Mississippi.

King Louie’s Blues Revue: LaRhonda Steele, Andy Stokes, Lisa Mann
King Louie’s Blues Revue, a bluesier version of the Portland Soul All-Stars, was first put together by organist Louis Pain for a series of 2012 shows at Bend, Oregon’s prestigious Jazz At The Oxford series.  The shows were a wild success, leading series creator Marshall Glickman to break one of his principle rules: “never book the same act twice.”  It happened all over again in 2013…and again in 2014!  Each year, the revue sold out more quickly than the year before, and each year the performances were even more exciting.  The group also brought the house down at the 2014 Waterfront Blues Festival (billed as “The Oxford All-Stars”).  The following year, this super-group was the closing act on July 4th at the festival. Then, in March 2017, the band sold out both of its shows at Marshall Glickman’s new Riverhouse Jazz series in Bend, receiving one standing ovation after another.

Monday, July 3

Joss Stone
British soul singer and songwriter Joss Stone was only 17 when her first album The Soul Sessions went multi-platinum. Since then the Grammy-winning artist has sold 14 million albums. Her enormous, gritty voice and creative songwriting has made her one of the most successful British soul artists of all time. “We’ve been trying to bring Stone to the Blues Festival since we first heard her riveting Soul Sessions disc nearly 15 years ago,” says Festival Artistic Director, Dammann. “She hasn’t toured stateside often, and hasn’t done a NW date in over five years. We’re thrilled to finally bring Joss Stone to Waterfront Park.”

Bokanté
This breathtaking new side-project of Grammy-winning funk/fusion group Snarky Puppy fuses the Creole groove of the Caribbean to the grit and howl of the Mississippi Delta. Features Roosevelt Collier (who appeared at Waterfront previously with the ‘sacred steel’ gospel group, the Lee Boys) on pedal steel; and the stunning vocalist Malika Tirolean. “Bokante is nothing less than a world music super-group…” – Pulse.

Booker T Stax Revue
Booker T’s Stax Revue features an eight-piece band with two lead vocalists, a two-piece horn section and BOOKER’S usual rhythm section and delivers a high-energy experience curated to take the audience on a journey through Booker’s eyes. His brief personal anecdotes provide wonderful context for the music and Booker’s legendary history with Stax makes him the perfect artist to present such a revue.

Cory Henry & the Funk Apostles
One of the finest Hammond B-3 organ players of his generation, Cory Henry has worked in the studio and toured with countless artists, including Yolanda Adams, Stanley Brown, Israel Houghton, P. Diddy, Kirk Franklin, Kenny Garrett, Donnie McClurkin, Boyz II Men, Michael McDonald, Bruce Springsteen, the Roots, and many others. Since 2012, Henry has been a member of the acclaimed experimental jazz and funk ensemble Snarky Puppy, with whom he won a 2014 Grammy Award for Best R&B Performance and a 2015 Grammy for Best Contemporary Instrumental Album. In 2016, Henry released the gospel infused solo effort The Revival.

Chris Cain
“Nowadays most young blues players are Strat-wielding Stevie Ray Vaughan-a-bes. Not Chris Cain. With a voice that recalls B.B. King and a thick toned Gibson guitar sound reminiscent of Albert King, Cain is forging a unique style. … one of the most compelling bluesmen on today’s scene.” – Larry Nager (syndicated Scripps-Howard music critic)

Chris Cain didn’t come out of this scene- he was born into it. A father who took him everywhere to see everybody—BB, JT, Stevie Ray and Count Basie —when the rest of us were still playing with our toys. So he plays guitar and sings like a bird. But he also plays piano (like Ray) and alto sax (like Ray). He does it all. His feel cannot be surpassed.

Dustbowl Revival
Dustbowl Revival is a Venice, California-based roots collective that merges old school bluegrass, gospel, jug-band, swamp blues and the hot swing of the 1930’s to form a spicy roots cocktail. Known for their inspired live sets, Dustbowl Revival boldly brings together many styles of traditional American music. Critics have proclaimed that this eclectic eight-piece “would have sounded utterly at home within the hallowed confines of Preservation Hall in New Orleans’ French Quarter” (Los Angeles Times) and their “upbeat, old-school, All-American sonic safaris exemplify everything shows should be: hot, spontaneous, engaging and, best of all, a pleasure to hear” (L.A. Weekly).

Lady Wray
Virginia-born singer/songwriter Nicole Wray has everything you’d want in a singer: an infectious Jackson-5-family-member flare, a range like Aretha’s, and a church upbringing that’s brought a pure, healing texture to her voice. It’s been put to good use in background vocals on a number of high profile projects, including the Black Keys’ Grammy-winning Brothers LP. On her recent solo debut, Queen Alone, Wray teams up with the Daptones team that powered Sharon Jones and Lee Fields to the front of the neo-soul wave.

Tuesday, July 4

MarchFourth
MarchFourth is a joy-inducing force of entertainment. This colorful explosion of brassy funk, rock, and jazz emanates from musicians, acrobats, stilters and more, touring the country year-round, taking audiences on a booty-shaking, soul-stirring journey that defies categorization. The band embodies the flavor of two of America’s most eccentric and creative cities, Portland and New Orleans. Formed in Portland, the act includes 20 musicians, dancers and artisans. Most recently, 15 of those artists journeyed to New Orleans to join forces with Galactic producer and horn player Ben Ellman and engineer and producer Mikael “Count” Eldridge whose credentials include Galactic and Trombone Shorty. The resulting album Magic Number is full of the captivating grooves and brassy swagger of New Orleans with the wonderful quirkiness of Portland.

Canned Heat
Canned Heat has been world famous for its tradition-rich style of blues and rock longer than most current pop stars have been alive.  The band rose to fame because its members’ knowledge and love of blues music was both wide and deep.

The Suffers
The Suffers, Houston’s award-winning 10-piece ensemble, has redefined the sound of Gulf Coast Soul.  Established in 2011, The Suffers’ lineup was curated by bassist Adam Castaneda and vocalist/keyboardist Pat Kelly, who brought on trumpet player Jon Durbin, trombonist Michael Razo, guitarist Kevin Bernier, percussionist Jose “Chapy” Luna, and drummer/vocalist Nick Zamora. Jazz saxophonist Cory Wilson and guitarist/vocalist Alex Zamora filled out the rhythm section, while frontwoman Kam Franklin topped off the group with soaring vocals.

Monkeyjunk
For over eight years, the name Monkeyjunk has been synonymous with the emergence of a new kind of blues on the Canadian and international scenes. Continually pushing boundaries and blurring genre lines, the Ottawa-based trio has added an edge to their music by incorporating swampy blues and rock with thoughtful and intelligent lyrics. Their fifth Stony Plain Records release, Time To Roll incorporates elements of all four of their previous recordings with added maturity in songwriting and instrumentation, cementing Monkeyjunk’s originality and sound as its own. These Canadian ambassadors of blues/rock are constantly working to up their game in terms of songwriting and musicianship, with the results evident on Time To Roll. Monkeyjunk has delivered 10 top-notch tracks that are consistent with the quality and passionate delivery they are known for.

Rae Gordon Band
The seven-piece band rides along in that sweet sexy spot between uptown and downtown, with a haunting, gritty groove of a slide guitar with the power of a hard-driving horn section, a sound which has recently gained them national and international attention. The band recently found new fans at the International Blues Challenge in Memphis, Tennessee, where they placed 3rd in the entire contest and a much-anticipated release of a new CD recording in summer of 2017.  RGB, based in the Portland, Oregon area is fronted by the Muddy Award Hall of Fame Winner for Best Female Vocalist (Cascade Blues Association), Rae Gordon, who started her music career in the piano bars and comedy clubs of Los Angeles and brings that intimate feel and sense of humor to every one of her shows, whether it’s a crowd of 10 or thousands.  The seasoned players, who have played the big and little stages of the Northwest and beyond, include Kivett Bednar on guitar, Al Hooton on bass, Ed Pierce on drums, Pat McDougall on keys, Scott Franklin on saxophone and Allan Kalik on trumpet.

The Duffy Bishop Band
Duffy Bishop and her husband, guitarist Chris Carlson met in Seattle in 1983. Duffy from California, Chris from the East Coast. They had separately been honing their musical and theatrical skills, and when good fortune brought them together, they began a collaboration that lasts to this day.

In 1991, Duffy and Chris started The Duffy Bishop Band, and have enjoyed being included in Portland’s Waterfront Blues Festival many times through the years. The two moved to Portland in 1994 having already fallen in love with the city and its musicians. They were welcomed and embraced by the Blues community, and have been blessed to play and record with many of Oregon’s finest artists. The Band made four albums for the legendary Burnside Records label, as well as one for Trillium Records.

Just This One: A Paul Delay Tribute
Just This One celebrates Portland’s own harmonica and songwriting hero Paul deLay—who passed away 10 years ago this spring from leukemia— with a stage full of hometown all-stars to sing, shout, and dance their way through a set of Paulzilla’s best songs. Andy Stokes, Lisa Mann, LaRhonda Steele, and Saeeda Wright sing Paul’s great tunes, backed by Dave Fleschner, Hank Shreve, Carlton Jackson, Freddy Trujillo, and Ben Rice. Maybe some guest stars, too. And a special number from United By Music. That’s multiple Blues Music and Muddy award-winners giving their all for Paul. Part of a developing musical theatre production by Portland playwright Wayne Harrel, Just This One shows how deLay’s poignant words, hilarious rhymes, and soulful melodies continue to touch hearts and minds a decade after his untimely death. “Fourteen Dollars in the Bank”, “Maybe Our Luck Will Change”, “Chalk and Roll”…it’s hard to keep it to just one set. Join the cast afterwards at the Crossroads stage for more songs and stories from the life of Paul deLay.

Jontavious Willis
Every generation or so a young bluesman bursts onto the scene who sends a jolt through blues lovers, who has not only mastered the craft but who has the blues deep down in his heart and soul. At the age of 20, young Georgia bluesman Jontavious Willis may be the one. “That’s my Wonderboy, the Wunderkind,” Taj Mahal said after inviting Jontavious to play on stage in 2015. “He’s a great new voice of the twenty-first century in the acoustic blues. I just love the way he plays.”

As BluesNotes went to press, the lineup was still developing, with many regional acts yet to be announced. Line up subject to change.

The Following Five-Day Passes Are Offered This Year

Basic 5-Day Pass ($40 early bird) — Five-day pass, priority re-entry. (Single-day tickets, available in June, do not allow for re-entry).

Blues Buddy Pass ($89 early bird) — Five-day pass, EARLY entry, priority re-entry, commemorative Blues Buddy button and discount admission to Waterfront After Hours All-Stars Concerts in the Marriott Ballroom (first-come, first-served).

For information on VIP Patron and Benefactor passes — as well as artist bios, tentative schedule, videos and music samples — visit waterfrontbluesfest.com.

Ramblings On My Mind-March 2021

Ramblings on my mindGreg Johnson, Cascade Blues Association President

It seems that every generation has its own musician or groups of musicians that reminds us of just how vital the blues actually is. They may not be the traditional sounds of the first generation of artists or even those who may have electrified the music or brought it back over from Europe. But they have had the ability to cross over various genres and introduce new audiences to the blues.

In the 80s we had the huge success of Stevie Ray Vaughan, Robert Cray, and the routine of the Blues Brothers that ended up being somewhat of a tribute in the long scheme of it all. Then the 90s saw the resurgence of the Hill Country musicians of North Mississppi like Junior Kimbrough and RL Burnside which in turn spawned new artists like the North Mississippi All Stars. Keb’ Mo’ brought the true country style back to light, which he has expounded on since. Modern sounds that were highly influenced from the blues came about in the new century. People like The Black Keys, Jack White and The White Stripes, Alabama Shakes, plus a whole number of bands and artists that fall underneath the so-called roots or Americana categories. The popularity of acts like Tedeschi-Trucks Band, Beth Hart, Nikki Hill, Warren Haynes,  or Joe Bonamassa cannot be denied with their modern rockier stance.

Which leads us up to the new-day giants who have direct lineage and inspiration from the blues, whether we all recognize it or not. Someone like Gary Clark Jr. is easy to identify in this mold, and like the aforementioned Bonamassa is packing venues everywhere he goes. Others like Fantastic Negrito have combined the musical patterns that they grew up with like funk and hip-hop and meshed them together with the traditional aspects of call and response. He obviously found success with that formula having been the recipient of this past year’s Grammy Award for contemporary blues. Valerie June is another star on the rise crossing listening audiences with her take on traditional patterns with contemporary senses.

With the upcoming Waterfront Blues Festival, I am amazed at a lot of the acts that perform there that are new to me, yet how they still deep down have their musical tastes holding to the blues. Talent Director Peter Dammann never fails to impress me with the acts he brings in. Over the past few years he has introduced us to many, including a young Gary Clark Jr. before he had taken the world by storm appearing at other huge festivals or being part of Eric Clapton’s Crossroads events. I see it within acts like Sister Sparrow, The Record Company, The California Honeydrops, Igor Prado, and young Christone “Kingfish” Ingram.

My overall point here is that so many people are out there lamenting that the blues is a dying art form. It definitely is not. Unless you’re obsessed with the loss of the elder musicians and focusing only on the sounds that they created, you’re not paying attention to the wonderful new sounds and directions it is taking us into. Wake up there is a world of fantastic new blues to be had.

On another subject, I want to send a shout-out to a living Northwest music icon, Alice Stuart. Celebrating her 75th birthday in June, she was also named as the recipient of the 2017 FAR-West (Folk Alliance Region – West) Best of the West award for her lifetime of work. If not for a young Alice Stuart making strides as a female artist writing her own material and playing lead guitar in the 1960s, there would be no Bonnie Raitt who was influenced by her creativity and thus inspiring countless others. Stuart performed alongside many of the most inspiring artists of our times including people like Michael Bloomfield, John Prine, Albert King, Tower of Power, Evin Biushop among too many to name and she was also a member of The Mothers of Invention before fronting her own bands. Her recordings have won rave reviews from both Rolling Stone and Billboard. Her achievements are of great merit and deservedly reconized by FAR-West.

Alice Stuart will be celebrating her 75th birthday with a performance in Seattle at The Triple Door with her band The Formerlys on June 17. With plans to already be in the area, we’re going to try our best to attend her special night. Congratulations Alice Stuart! Hope to be there for the celebration.