Brett Benton CD cover

Live At Highway 99 Blues Club
Country Blood Records

Brett Benton CD coverBrett Benton left his home in Florida back in 2016, making his way across the country to perform his blues. He eventually landed in Seattle where over the past year he has made a well regarded name for himself, claiming the Washington Blues Society’s BB Award for best acoustic artist and winning their regional competition for the International Blues Challenge taking him to Memphis this last January.

While raising money for his trip to Memphis, he opened a show for former IBC winner Selwyn Birchwood at Seattle’s famed Highway 99 Blues Club. That performance was preserved on disc and has now been released as a CD. Benton had joined forces with drummer Gordon Townsend and for those who like the hard-hitting sounds of Northwest band Hillstomp or the traditional Mississippi Hill Country music of Cedric Burnside and Lightnin’ Malcolm, then you’re going to want this disc right away.

The album is not too long, but that is more from the fact that it is an opening set for the live performance. But Benton and Townsend throw in a world of powerful sound in the six songs presented. The disc opens with Fred McDowell’s “Kokomo Blues” and also features another by

Mississippi master “”Shake ‘Em On Down.” Another Hill Country great, RL Burnside is represented with his “Miss Maybelle” and the Delta legend Robert Johnson’s “Preachin’ Blues” closes the disc. These are all pretty much standards when it comes to blues played in the style Benton does and they’re done absolutely with brilliance. But it is the original numbers of his, “I Got a .45” and “Hard Love,’ that truly showcase why Benton belongs in the same breath as those Mississippi Hill Country greats. You’d never realize that the flow between the tracks go from cover songs into originals and that says a lot for Brett Benton and Gordon Townsend’s live performance.

Live at Highway 99 Blues Club is a disc that gives a very nice hint of what we can expect in the future from Brett Benton. And that future should be bright. It’s a nice hello to the blues community in the Northwest and we’re all going to be happy he made that trek cross country.

Total Time: 29:35

Intro By Ed Maloney / Kokomo Blues / I Got A .45 / Miss Maybelle / Shake ‘Em On Down / Hard Love / Preachin’ Blues (Up Jumped The Devil)

Chris Smither

Chris SmitherThe Alberta Rose Theatre welcomes legendary singer/songwriter Chris Smither on Wednesday, March 7 at 8:00 pm for an all ages performance. Smither draws deeply from the blues, American folk music, as well as modern poets and philosophers. Smither began his career encouraged by folk musician Eric Von Schmidt in the mid-1960s, and has in turn inspired many younger musicians, including Bonnie Raitt who has recorded a number of his compositions including “Love You Like a Man.” His signature guitar playing and gravelly voice have made him a mainstay at festivals, coffeehouses, venues, and club circuits throughout North America and Europe.

Tickets for Chris Smither are available through Ticketbiscuit.com and the Alberta Rose Theatre website for $22.00, or at the door for $26.00 day of show. The Alberta Rose Theatre is located at 3000 NE Alberta Street.

Chris Smither will also be holding an in-store performance on Tuesday, March 6 at 6:00 and will be in Eugene for a concert at The Shedd Institute on Thursday, March 8.

Daniel Eriksen

Narrative Boogie
Pzedeco Records

Daniel EriksenNorwegian bluesman Daniel Eriksen has a free flowing slide style that may bring to mind other notable guitarists like Roy Rogers or John Mooney. He was the second place winner in the 2018 International Blues Challenge in the solo/duo category, performing with a feel that you’d tend to guess came from the hills of Mississippi rather than the Scandinavian land of the fjords.

Of course, Eriksen is no stranger to the real Mississippi, having made several trips there over the years and soaking in the music of the Hill Country and the Delta. On his latest release, Narrative Boogie, he displays just how well he has taken on those sounds. And to make it even a bit more authentic he joins up with Mississippians Bill Abel and Cadillac John Nolden for a couple tunes presented. Several of the tracks also include drummer Stig Sjostrom, with whom he competed in the IBC, and another number offers the vocals of Aisha Joof.

Eriksen is quite at home flowing through songs by T-Model Ford, Son House, Fred McDowell and Paul Wine Jones alongside gospel pieces and his own creative compositions. And his material easily stands up with the classics, with nice pieces such as “Lula Looks Dangerous,” the social number “Refugee Boogie” and mostly through the instrumental title track where his guitar actually tells the narrative.

For anybody who questions whether or not musicians outside the United States are capable of creating bona fide blues music, either their own music or reinterpreting the originals, check out Daniel Eriksen. He definitely knows what he’s doing.

Total Time: 45:27

Kokomo / Pearline / Lula Looks Dangerous / Refugee Camp Moan / Footprints / Rob & Steal /

Wreck On The Highway / Narrative Boogie / Cut You Loose / My Poor Skinny Pony / The Blood You’re Worth / Barrel Of Crabs / 12 Disciples / Blind Fiddler – Bye And Bye I’m Going To See The King

Martin Sexton grew up on roots rock and the blues and is known for his spellbinding live performances, amazing vocal, and searing guitar chops. His songwriting blends several genres of American music, including soul, gospel, country, rock, blues, and R&B, with a voice that Rolling Stone described as “soul marinated that can easily be compared to the likes of a young Steve Winwood or Van Morrison.”

Sexton will be appearing at The Aladdin Theater, 3017 SE Milwaukie Avenue, on Sunday, March 18, at 8:00 pm. Tickets are $35.00 advance through Ticketfly.com or $40.00 at the door day of show. This is an all ages event. Portland’s Brady Goss opens the show.

Martin Sexton will also be performing at The Shedd Institute in Eugene on Friday, March 16.

Lake Theater & Café

An all-star collection of some of Portland’s finest musicians will gather at The Lake Theater & Café on Monday, March 5, for a tribute to one of the greatest songwriters of our time, John Prine. Join Julie Amici, Dean Mueller, Thad Beckman, Mark Shark, and Carlton Jackson for a night that will have the audience singing along to nearly fifty years of Prine’s recordings, such as “Hello in There,” “Illegal Smile,” “Lake Marie,” “In Spite of Ourselves,” “Angel From Montgomery,” and many others.

The Lake Theater & Café is located at 106 N State Street in Lake Oswego. Tickets are $15.00 and can be purchased at laketheatercafe.com. show time is 7:00 pm.

Ramblings On My Mind-March 2021

Ramblings On My Mind - February 2018Greg Johnson, CBA President

As I explained last month, for the first time since 2003 I did not make the trip back to Memphis for the International Blues Challenge, but that doesn’t mean I didn’t keep track of how our regional acts fared. And as always, they gave their all and performed as our representatives above and beyond expectations.

The most important thing about taken part in the IBC is to get yourself out in front of the blues industry people on hand and to make as many friends with other musicians as possible. This can sometimes be more important than actually winning the event. So many top name musicians came up by performing at the IBC without having even made the finals let alone winning. So do not believe for a second that because our own acts may not have made it to the stage at the Orpheum for the finals does not mean that they were not winners themselves. They were already winners having received the right to compete in Memphis to begin with by winning the Journey to Memphis right here at home.

Timothy James & The Portland Blues Revival made the most of their time by playing as often as possible, not only in the youth showcase and Northwest Showcase, but also in as many jams as they could get on stage for.

Dean Mueller & Julie Amici took the time to do some traveling when they went back east. They may not have made it beyond the first round, but they made many memories in Tennessee and beyond, including a stop in Nashville where Dean had worked it out where Julie was able to take the stage with Vince Gill and sing a Hank Williams number.

Sister Mercy accomplished another great trip by making the semi-finals for the second time. That in itself is a feat not to take lightly. Thousands of bands compete from around the world every year to have the right to go to Memphis and only a handful can move forward to the semi-finals and to the finals. Making the semis twice is something to be extremely proud of and hopefully they’ll receive recognition by other regions as well as our own.

To witness how the acts performed in Memphis, go to YouTube.com and the acts’ Facebook pages. We’re lucky to have family members and friends who recorded their sets, so even if you could not be there, you still have the opportunity to see their performances.

Congratulations to Sister Mercy, Julie Amici and Timothy James and the boys. As I said you’re all winners! The overall winners of the event were Houston Blues Society’s Keesha Pratt Band as the top band, with Memphis Blues Society’s Fuzzy Jeffries & The Kings of Memphis in second and Santa Clarita Valley Blues Society’s Artut Menezes third. In the solo/duo category Central Iowa Blues Society’s Kevin Burt took first and Norway’s Olso Bluesklubb’s Daniel Eriksen was second. Artur Menezes was the band top guitar winner and Kevin Burt the solo/duo top guitar and top harmonica winner. Best self-produced CD winner was Jontavious Willis for his disc Blue Metamorphasis representing the Atlanta Blues Society.

Now let’s start talking about who will be heading back to Memphis next year. Applications are open and dates are set for the Journey to Memphis. Okay . . . ready, set, go! Get on the ball and apply for your chance to make blues history . . . in Portland, the Northwest and the world!

Bandstand - Bandstand from Froggy - Bandstand - Lloyd Jones

David Kahl, Soul Cookin’, the Bayou Boyz, and More

Things have changed up a lot in the last few weeks. After Jan DeLorme, owner of Blackwell’s passed away, Soul Cookin’ and the Bayou Boyz needed to shift gear. Fortunately, a couple of venues stepped in to fill the void.

Wednesday nights has Soul Cookin’ playing Spirits Pub at 4037 NE Cully Blvd. It’s a cool room, really diverse clientele, and already feels like home. The gig, featuring Lloyd Jones, Brian Foxworth, me (David Kahl), and either Dover Weinberg, Steve Kerin, or Louis Pain, along with special guests sitting in, goes from 8:30-11:30 pm. Check out the menu, patio, or one of their reasonably priced beverages. It’s all good.

Mondays have a new night and a new home for the Bayou Boyz. Incidentally, since AC Porter and the Livewires have played the last of their successful series of Tuesdays at Blue Diamond, the timing was perfect for them to move things to the same venue. The Mekong Bistro, 8200 NE Siskiyou, is a spacious, yet intimate room, featuring a full bar and incredible Cambodian cuisine. There is a stage, sound system, great seating and sight lines, and ample dance space that won’t block the view. There’s also a huge parking lot and easy access to and from I-84.

The hours on both nights at Mekong Bistro are 7:30-10:30 pm, late enough to rest from the day, get a bite to eat, and get home at a decent hour. No cover either night.

On a personal note, Lynn and I, along with daughter, Cassandra, want to thank everyone for the wonderful outpouring of love at the celebration of our wedding vows. We’re good for another 30 years.

Lastly, I’d love for you to pay attention to the work of the Creative Community Cooperative Project, an idea I had to provide equity for working-class creatives living in Portland. Through this project, we hope to be able to keep them living – and thriving – in this great city. We’ve garnered enough support that we are a proper organization, now certified as a 501 c 3 public charity organization. It has been hard getting here, but now the real work commences. Be prepared. We’re likely to ask you for something big, but it’ll be worth it.

David Kahl 

The Arrogant Bastards

The “Arrogant Bastards” is a Blues, Funk, and Rock-n-Roll band based in Portland Oregon.

The Arrogant BastardsFounded in early 2017 from a desire to create and perform music that is raw, exciting, and entertaining, the Bastards’ music is primarily blues based intertwined with elements of Funk and Rock-n-Roll. But they’re not your typical local Blues band — they like their music heavy and dynamic! They write their original songs with plenty of catchy hooks and a splash of innuendo. They also perform renditions of various songs from artists such as Tab Benoit, Johnny Winter, Stevie Ray Vaughn, Albert Collins, Albert King, Hound Dog Taylor, Govt. Mule, and Jimi Hendrix. The self-proclaimed “Bad Boys of Portland Blues” are an aggressive group of musicians with backgrounds as diverse as the songs they play.

It started with Paul moving to Portland a few years ago and wanting to start performing live again. James had been playing a couple of years with a group after a long hiatus and had come across Paul’s contact info. The first collaboration was a bit too removed from the blues than Paul wanted. A year later though, Paul contacted a bass player whom James had giving his info to, and she gave Paul James’s contact info.  They soon started rehearsals. Two lead guitar players and three bass players later, they connected with John and Mike and everything clicked. They played at a local showcase two weeks later. The audience response was outstanding! They recently added Brad’s keyboard talents to the mix. It’s been full steam ahead ever since.

Paul (Rhythm Guitar and Lead Vocals) is originally from the San Francisco Bay area. He has lived in all four corners of the U.S. While living in North Carolina and working at radio station WCOM, Paul interviewed the great blues player Tab Benoit. Tab told him “It is a blessing to be an artist, performances are for the people. It’s their show, they paid for it, and I want to give them a way to connect.” Paul shares and understand that vision and gives everything he has in his performances. He brings that gritty, swampy, soulful sound of the Gulf Coast to the band.

Mike (Lead Guitar) is a lifelong guitar aficionado. He developed his talents in the hardened music scene of New York’s Long Island. After moving to Portland, he made his mark and name known locally. He’s recorded several albums and performed with various groups. A tenacious player and savvy genius who plays every song like it was his last. He doesn’t hold back, but rips it in a precise and fitting manner. He perfectly combines the hard driving blues of Texas with New York styled Rock-n-Roll.

John (Bass Guitar) developed his silky style in Detroit. His passion was the underground sounds of Hendrix, Zappa, Deep Purple, Pink Floyd, and Zeppelin on FM radio WABX. This path led him to San Francisco. He cut his teeth on countless jams, no-name bands, open-mics, and music festivals. After moving to Portland, he returned to his roots of Blues, Funk, and Soul. He holds down the bottom end with a flash of Motown Rhythm and Blues and a splash of West Coast free spirit.

Brad (Keyboards) long ago discovered the simple fact that he was happiest when he is creative. His creativity has expressed itself in many styles and media, but music has always been at its core. Founded in Blues and Rock, his musical expressions have traveled deep in Jazz exploration and finally to a return to Blues. He believes that true inspiration is rare; it requires consistent creative and experimental practice to make its appearance. The talent-filled Arrogant Bastards is a perfect vehicle for his creativity and an easy target for inspiration to find.

James (Drums) was born on a bluff overlooking the Mississippi River (not kidding!) and grew up where that famous river first crosses Hwy. 61. He had a front row seat to the Minneapolis sound explosion during the 80’s. He was involved in several Blues, Rock, and Funk projects that never fully materialized. He stepped away from music performance for almost two decades. Eventually he moved to Portland. He started playing with a few local projects, which led to him and Paul forming Arrogant Bastards. He brings that no-frills solid driving beat forward with funkiness and soul.

The Arrogant Bastards are huge supporters of the great work done by the Cascade Blues Association. Most gigs are set up so All CBA Members are on the Guest List. They are always adding new performances to the schedule. Please check out the event calendar on the CBA website or visit the Arrogant Bastard Facebook page to see where you can catch them gettin’ down and dirty with the Blues. You’ll have a blast!

Cary Morin

Cradle To The Grave
Maple Street Music

Cary MorinThis is acoustic fingerstyle guitar playing at its best. Cory Morin offers beautifully refreshing and delightful music, from start to finish, or should that read from Cradle to the Grave as the title suggests. With an amazing warm, down to earth voice that helps define his music to perfection with his bare-boned instrumention, this Native American artist does incredible feats in melding blues and folk music with a bit of his heritage thrown in as well.
Cradle To The Grave is Morin’s fourth solo release and is mostly all original material. This is superb storytelling that faces life’s questions regarding mortality and what may be ahead of us at the end of our journeys, “Cradle To The Grave” and “Watch Over Me,” and can also be political as seen with his song “Dawn’s Early Light,” showing his support for the Standing Rock Sioux Tribe’s efforts for their water rights.
Alongside fantastic compositions of his own, Morin takes on a trio of covers including Phish’s “Back On The Train” and bluesman Willie Brown’s “Mississippi Blues.” But perhaps it is his take on Prince’s “Nothing Compares 2 U” that really stands out. He has completely rearranged the pop hit into a stripped down take that is in itself strikingly unique, evoking a magical presence of its own that just seems to be how the song may have been meant to be all along.
Every number of this album is delivered with clarity and precision. It is an unexpected and very welcome pleasure. A musical journey that merits being taken over and over again. Each listen seems to bring out more introspective discoveries in sound and voice. Cary Morin may have been an artist that I was not familiar with before, but he’s definitely somebody that I will be keeping my ears open to for future projects. If you’re a fan of acoustic guitar, Cradle To The Grave is one to seek out. It is a master work!

Total Time: 40:33
Cradle To The Grave / Laid Back / Dawn’s Early Light / Lay Baby Lay / Mishawaka / Mississippi Blues / Ghost Dog / Trust / Back On The Train / Nothing Compares 2 U / Watch Over Me

Lake Theater & Café

Muddy Waters Celebration Lake Theater & CaféThe Northwest’s top Muddy Waters tribute show will return to The Lake Theater & Café, 106 N State Street, Lake Oswego, on Monday, March 26. This is an early celebration of Muddy’s birthday, who would’ve turned 103 years old on April 4. To properly honor the music of Muddy, four internationally acclaimed bluesmen who bask in the performance of old school traditional blues will be on hand to honor the legend in his original style. Join guitarist Alan Hager, bassist Dean Mueller, drummer Jimi Bott, and harmonica player Mitch Kashmar for a night of dancing and classic Chicago blues.
Tickets for this show are $15.00 available at Laketheatercafe.com. Showtime is 7:00 pm.